The value of
antiques is affected by many different factors. Like any other
merchandise the antique china value is subject to the demand and supply situation. Antiques that are
highly sought after but are scarce can usually command a better
In individual situations another
factor is the value attributed to a specific antique by its owner, and the
price a collector is willing to pay to obtain it for his/her collection. In other words, this is dependent on the demand and supply situation on the antique market.
Therefore, the actual value of an antique may never be the same at two points in time, or in two or more different sales locations.
Chinese Ceramics, Pottery, Porcelain
The following are
decisive factors applying to value of antiques in general and/or antique china. (See details below)
* Can be relevant with Chinese ceramics. Items from mainstream kilns generally command a higher value.
This is especially important with the ceramics of the Song and Yuan dynasties.
Selling/purchasing location affects price:
The type of location or business where antiques are traded also influences the antique china value. High-end or low-end antiques are usually only available in certain locations where their high or low prices are acceptable to their respective customers. Antiques valued in the medium range might be available in both.
Many of the larger auction houses now allow online bidding in addition
to in-house bidding. With some it is also possible to watch the auction process live, online.
Details of factors affecting the value of antiques:
The age of a porcelain item may affect price, but not the way some novice collectors may think.
Often age is affecting price only with medium or high quality antiques. For example. crude porcelain used by the common folks five hundred or a thousand years ago, on the a hand, may have less value than a quality item of the 19th century, for example. Pottery items from the Han dynasty or earlier, more than 2000 years ago, are suitable for a museum, but may not necessarily interest a private collector. They are a milestone of human history, but not of an appealing appearance. An appealing appearance is one of the requirements porcelain collectors have.
Quality of work and
Collectors do prefer a nice appearance, an elaborate painted decoration or interesting glaze to a roughly painted or simply glazed item. After all, it shall be presented in vitrines or on shelves to visitors and other collectors, of just are for pleasing the collector him/herself. Imperial wares are the best of the times, both in view to quality and workmanship. Some private kilns also were able to produce high-quality wares. Export porcelain made in the 17th to 19th centuries ranges somewhere in between the common wares and imperial porcelain, in view to quality, but they are more affordable.
Rare porcelain items may command a higher price than more common wares, no matter how old they are, but they still are subject to quality requirements. Even rare items are only valuable if their workmanship is good enough to appeal to collectors. Items that are related to or once belonged to famous persons may be more valuable.
It is only natural that the condition of an item affects its value. Broken or damaged items, or an abraded on-glaze decoration will reduce value even if an item is rare. Severely damaged items may be normal in a museum, but should be the exception in a private collection.
Notable is, however, that rare or very old items that are desirable to collectors may still have value, some are even auctioned. For example, items made in the Kangxi reign are considered highly collectable in China, and Chinese collectors will pay fairly high prices for genuine but slightly damaged Kangxi items.
The more demand there is for an item the higher its value rises; but this depends also on whether the supply is small or more than sufficient. In the latter case the value of an antique will likely remain low.
Manufacturer or kiln
This is more important with pre-Ming porcelain. Items of the more widely known kilns, or those which manufacturing for the imperial court, respectively, would command a higher price, depending on other circumstances above.
In the Ming and Qing dynasties items manufactured at the imperial kiln in Jingdezhen would be valued most, then the other kilns at Jingdezhen and Dehua kiln, probably. This does not exclude exceptional items of other, non-mainstream kilns.
Export porcelain painted in Canton may be different. Those porcelains were first fired in Jingdezhen and the blanks then transported to Canton, where they were decorated and then exported.
Item Condition, Rarity and Age:
With porcelain the value of antiques is also affected by their condition, the same way as with other antiques. However, age and rarity may lead to exceptional acceptance of minor damage by collectors.
This is especially the case with Chinese porcelain. Minor damage of Ming dynasty (1368~1644) porcelain, for example, is often more acceptable than if the same condition were found in late Qing dynasty (1644~1911) or republican porcelain.
While minor damage also decreases the value of antique Ming items somewhat, if compared to similar Ming pieces in perfect state, slight damage appears to be more acceptable than with the much 'younger' Qing dynasty and later porcelains.
Due to the scarcity of good Ming items the overall antique china value of slightly damaged Ming items is often perceived as higher than that of equivalent but more recent porcelain items in perfect state.
But, it is wrong to assume that the higher the age of an antique, the more it is worth. Age always goes hand in hand with quality.
A finely worked or decorated antique that is only a hundred years old may be valued higher by collectors than a simple, utilitarian item with little decoration, that was made several hundred years ago. Sometimes, even if quality is approximately the same, the older item may have a lower collecting value than one that is less old, but rare.Sometimes collectors specialized on a certain category of antiques may will pass the opportunity of an older item in order to obtain that rare, difficult-to-find object still missing in his/her collection.
Collectors in China have a tendency to collect Chinese taste porcelain (porcelain made primarily for use in China). They generally value export porcelain less, although in recent years demand for it has been rising, due to insufficient availability of quality domestic porcelain.
Western collectors, on the other hand, are readily collecting plates, which are usually the farthest down on the wish list of Chinese collectors. In China decorative items like vases, jars, pots, etc. are most sought after. Using plates for decoration purposes was relatively unknown until more recent times. There is a second reason to this: plates (dishes) and bowls are more plenty, as people have always needed such items for eating, etc., while decorative porcelain may not have been affordable by many, in the old times. This also reflects in its pricing - again, this situation appears to be changing slowly.